In court no. 3 In Wimbledon, in a fourth July collision, 13AMANDA USEMOVA ORIGHT FROM OUT OVER DALMA GALFI OF HUNGARY GALFI6– 3,5– 7,6– 3.
Both players had a wonderful resemblance – both tall and athletic, with similar white dresses and matched white viscera. Galfi, blonde and slightly under six feet, it didn’t seem different from Animova himself. Normally Animova’s blonde hair is a little darker now, a light coffee, but the visual symmetry between them added an extra layer of intrigue in the match.
From the beginning, America’s game was a master class in the pressure game. She issued the initial base for purpose, entering the court to steal the Hungarian of the time.
Its rear line was sublime-firing of the signature, executed with confidence-while its preface balanced depth and severe speed with a quiet willingness to wait. It would be patiently gathering, waiting for an opening and changing the direction accurately.
Asked about its back – now the theme of internet admiration on the border with the status of the cult – Animova smiled and said, “Yes, I have heard a lot of people tell me how, they really like it back or is one of the best shootings.
Joanna Chan – Apea
“I think it’s one of my best shots, but I’m still trying to improve other aspects of my game like my service. I feel like my preface has improved a lot, too. “
The Hungarian service was its strength. Its first serves regularly landed around 114Mph, reaching the peak in117 And she hit her points with confidence. There were some diving – especially in the third set – but in general, it was well under pressure.
Positioning showed most of the story: Galfi played a few meters after starting – safe but reactive – while Animova stayed up at the starting base, taking back returns and interrupting time.
Animova’s time was thin, her movement of movement. Looking at her step again and again, it was clear how effectively she was taking the pace and keeping her opponent under constant pressure.
She added a variety where it was needed with falling shots, falling down and mixing in her back slice. But the tone of the match never left her initial aggression. It was that pressure-vague, removable in front of-that eventually made the difference.
Statistically, Animova came in the main moments. She converted five of the ten points of rest and saved seven out of ten.
Galfi converted three out of ten and saved five out of ten.
Hungarian struck eight Aces in two Animova and was confined to only three double mistakes, while the American had eight.
However, Animova directed to the winners – 29to Galfi’s 20 – Although she also had more forced errors, 45BY35.
In the afternoon immersed in the sun had the backdrop of St. Mary’s Church after Court no.3adding a smooth contrast to the intensity that unfolds below. A fresh breeze moved gently through the stands, and the conditions were almost perfect for the tennis court tennis.
At the beginning of the third set, in the spirit of this case, a bottle of champagne was opened as anyssiava was ready to serve. She stopped her movement, significantly irritated and said something umpire.
After the point, Umpire made a very Wimbledon-Esque announcement: “Would you avoid opening the champagne bottles when players will serve?” Only in Wimbledon.
“It continued to happen, “Animova said then, smiling.” At one point I was, like, can everyone do it alone in the change? It was definitely a little attractive … But I love the atmosphere and energy and crowd that supports me, so it was fine. “
With many high seeds falling in the first rounds, Animova was asked how to deal with the displaced draw landscape. “I feel like I probably feel a little pressure because you definitely feel like the opportunity is there,” she said. “At the end of the day I continue to remind myself to focus only on the present … I enjoy the moment, trust my game.”
And for Animova, that concentration still surrounds the greatest purpose. “Of course, this is always the purpose of a professional tennis,” she said to win a Slam Grand. “And it’s still something I’m really following.”
