‘5 swing’ causes of Justin Rose for the constant hit of the ball

Golf guidance is always developing, but the best advice lies in the test of time. In the new Golf.com series, eternal tips, we are emphasizing some of the biggest tips that teachers and players have shared on the Golf Magazine pages. Today we look back in our July 2012 issue when Justin Rose discovered his swing causes for the constant hit of the ball.

Justin Rose It’s like a good summer – it continues to improve with age.

Despite being one of PGA Tour’s elderly45-year-old Won the first Play -offit of FedEx Cup with a win at the Southwind TPC over the weekend. And he did so in the strength of an eternal swing he has served for decades.

Back in 2012, Rose joined Golf To share some of the secrets in his butter movement. Check below.

5 ‘Causes’ of Swing’s Rose

In the 2010 player championship I hit four flags in the practice range, then immediately went out and shot 72-72 and lost the cut. It made me 0-for-152 on the American soil tours, but I knew what I was working on was right. Of course, I won two of the next four events I entered. The loan goes to my coach, Sean Foley and the entire team I built around me after my full-time Movement in the 2009 Since this group, I have gone from 70 to the official Golf rankings in 9.

Everyone knows Sean as a technician, and of course mathematics and science play a major role in his methodology. No matter how pragmatic he is, he is everything, but mechanical, and he worked with me to develop a three -phase process to improve my swing by replacing positions with difficulty with feelings and causatives. With only a little practice, these feelings and causatives became almost the second nature to me, and they helped me to swing that I always knew it was falling inside me. And because they are so simple, they have held pressure, something my old movement was not capable. Try them for the size, and like them to me, they can simply transform your game.

Backswing: Feeling like the club moves before

What have I done before: When I swing in front of a mirror I am often happy with what I see – my lines are good, the club is where I want to be on top, and I look like I’m on the plane. But the images can be misleading. You can achieve good positions in your back at a poor rhythm, and poor rhythm will make your swing time difficult, so you are where you want to be in influence. When I was fighting, I “supported” in a good high position, giving the false feeling of faith. Although I looked good, I was not really determined.

The intersection I use now: At the address, my main goal of me is to start my back by removing the club smoothly. This is important – the club club must move first because it has to cover the greatest distance while swinging. So, after being green my movement, I move the club, then add the action of my hand and finish it by twisting my body. Causing my back taking the club to move first keeps me in sync. Warning: When you are working for the club to go first, it is easy to grab it. Use a beautiful rhythm, even.

Landing: feel as if your left arm pulls through the chest

What have I done before: While it is not true for any golf player, the best way to hit quality shots is to approach the ball from inside the target line, and the only way to set this move on the move is to delay the shoulder turn from above. I used to rotate shoulders from the beginning, which made it difficult to control the ball flight because I had to get up through the influence to create enough space to shake freely through the shooting.

The intersection I use now: From above, my only thought is to swing my left arm down and across my chest while I keep my shoulders closed. I almost want to feel that my left arm is so tight against my torsa that I am blocking the right elbow on my right side. In fact it doesn’t happen when I swing because the rotational force brings me my arms and club in front of me, but the feeling keeps me at the angles I need to hit from the inside.

My landing, quite funny, is the opposite of what you see Tiger Woods who works now. Tiger is trying to get the club in front of him, and that is why people who try to Pigeonhole Sean Foley in a particular teaching style have died wrong. He understands – like any good player – who thinks are different for every golf player.

Impact: Feeling like you are catching the soil with the heel

What have I done before: When I look at much of the bad shakes I made in the past, I notice that the glove is much higher in the influence than it was at the address. It is a problem that stems from rotation too early in the onset of my landing and rise through influence. This position of the high hands makes it almost impossible to compress the ball and swing correctly to the left of the target after influence.

The intersection I use now: As I approach the impact, I want to get the club’s heel to dig on the ground, especially with my handcuffs. While this never really happens, however, it helps me to cause a position of low hands through the ball and enhances the internal access I set in motion by pulling my left arm across my chest from above. With my low hands through influence, I have to throw the club through the ball. Next to an accuracy that increases the swing speed, too.

Follow through: Feeling like your left bicep is hanging on your left side

What have I done before: My upper left arm went away from the left side of my torsa, and I would get a little stiff and blocked – as I can’t get all the way to my left side. Plus, the club will get out of the way on my left shoulder. This top right-wing position predicts catastrophe-you have absolutely no chance of checking your shooting when your continued looks like this, and it is a reason why I was damaged by the inconsistency for much of my career.

Tufa you are using now: Once I contact the ball I am thinking of “low exit”. I want my right arm and shaft to swing to the left of the target in approximately the same plane as my left shoulder. This kind of shallow exit allows your body to return to keep the rhythm at the speed of the club, and holding the rhythm allows you to check where the club is showing so that your shooting can fly where you want.

Secret? Keep your left bicep in your body and allow your left elbow to “roll” against your cake. Again, it will not remain hanging due to the rotating force of your swing, but it is a great stimulus to keep your swing tight and your arms from detachment from your body. When you feel that the club’s club is moving down and leaving after the impact, you are starting to feel the right one.

Finish: push your body toward target

What have I done before: The mistakes I made to make (I still make them, but thanks to the sean and a lot of hard work, I’m doing them less and less) forced me to stay on my right side more than I wanted. My reaction to this was to flip the club through the ball – an action that completely disrupts the club’s control and the shaking tempo. I found the approximate left very much by swinging this way.

Tufa you are using now: This ends late, but it starts early – after reaching the top of my back, I know I have to get at least 90 percent of my weight on my front leg and my hips in front of the target until I finish. Now, I know you’ve heard this before, but there is more to finish your swing than just shifting your weight and turning your hips. You should feel like being pushing behind the ball as you start down your line. It’s not just a turning thing – you want every ounce of your swinging moment that goes toward the target. A good conclusion is an action, not a static position. You will discover more power if you think this way.